Justiça Ancilar

J’ai eu du mal à me mettre dedans, les règles grammaticales sur le genre étant non seulement confusante mais désagréable (j’ai eu l’occasion de lire un livre où tout était genré au féminin « elle pleut », « la bébé », mais ce n’est pas pareil).
Après quelques chapitres (et ayant appris que la version originale était aussi « perturbante » et que ce n’était pas une aberration de traduction), j’ai enfin profité du livre.
Une histoire complexe et très bien ficelée, originale, que j’ai trouvé très rafraîchissante.

Really enjoyed this book. In some ways it's a classic space opera but there's enough twists on the formula that it feels super fresh. Fascinating explorations of identity, language, and class. The writing was fun and engaging, I ate this book up.

There's a lot of death and destruction happening throughout the book and the Radch is quite an evil Empire. Nevertheless, the two main characters grew on me quickly. Great world-building but done in a restrained manner. The story itself is quite the wild ride. It also stands on its own, despite being the first book in a trilogy.

This is a fun space opera that has all the fun space opera things: giant interstellar empires; worldbuilding on various interstellar cultures, and how they interact with each other, and how they do gender; exploration of how cognition and identity works in entities that are not (or not entirely) human; grand plots and conspiracies.

The overall plot is perhaps a bit simple, and some of the characters lean perhaps too much into one-dimensional archetypes, but it does not matter that much against the lively worldbuilding, and how it ties into the whole story.

A fascinating exploration of colonialism, gender, and the question of human agency told through a remarkably human, arguably nonhuman protagonist. A must-read for anyone who enjoys outside-the-box thinking and sci-fi worldbuilding.