Witch King

Habe das (Hör-)Buch bei 12% abgebrochen. So der ich Murderbot Diaries mag, so sehr hat mich Witch Kind gelangweilt. Ich konnte zu keinem Charakter eine Verbindung aufbauen und das ist eine schlechte Grundlage um einer so komplexen Story akustisch zu folgen. Das Hörbuch begann tatsächlich mit einer mehr als drei Minuten andauernden Aufzählung von absurd vielen Charakteren, von denen viele noch Spitznamen hatten und in Beziehung zu anderen Charakteren standen,… Natürlich konnte ich dem nicht folgen, ich kannte ja noch nicht mal einen der Charas. Kein guter Start.

Der Rest der 12%, die ich gehört habe, unterschied sich allein in einem Aspekt positiv von 0815-Fantasy: Das Setting war nicht irgendwo im europäischen Mittelalter. Vielmehr zogen die Personen umher, waren vielleicht Beduinen oder ähnliche nicht-sesshafte Gruppen.

Aber alles andere war so langweilig: Hauptcharakter männlich (wenn auch nicht hetero), „the chosen one“ (wenn auch Dämon), rechtschaffend-gut obwohl Dämon, … und was mich immer besonders irkt: Natürlich haben die wichtigen Leute alle Bedienstete-bis-Sklaven, die möglicherweise durch weniger-reinblütig-sein an diesen Platz kamen… Urgh.

Das ist mit alles zu monarchistisch, da höre ich lieber ein paar langweilige, heteronormative Grusel-Hörspiele bis das nächste Murderbot-Hörbuch in der Bücherei verfügbar ist.

The only other books by Martha Wells that I've read are the Murderbot Diaries, so it's pretty hard for me not to view it through that lens.

Which is unfair on the book, because it is entirely its own thing.

But also carries a lot of Murderbot DNA.

There's the conversational style, the same exasperated, hyper-confident protagonist with a prickly exterior but a heart of gold...

But Kai is also more openly vulnerable, more open with his friends and much more DTF.

Plot-wise it suffers from the same issues I have with the MBDs. The overarching story wasn't compelling, I don't really understand the stakes or the politics, at least not for the bulk of the book. So it was hard to get invested. But it doesn't matter because the whole thing is really just a framework to hang the individual set pieces on and, man, Wells is amazing on the small scale.

The action is so good. Well's writes in such a cinematic way that I am immediately sucked into the scene. And they feed into each other so well, with the split past/present back story meaning that you are always left in the middle of some cliffhanger or important event even during the downtime.

The setting is also really interesting, the magic system is weird, but usually clearly conveyed, and the world is... well it's a mess. Dealing with the fallout from the magical equivalent of a nuclear war.

Overall, the most basic comparison is the strongest though. This is an incredibly compelling book, that I can see myself re-reading many times.

I adored how wide the world felt and how much was hinted at by the various, subtly interacting magic systems at play. I feel like there are so many nooks and crannies to be explored around the main storyline of this book that it feels like a nearly inexhaustible mine. More, please!

The narrative structure jumps from the present to the past, each giving context to the other and its people -- literally showing you why the characters act the way they do, showing how the current situation came to be, giving you a real sense of time and consequence. I loved it.

And, as I've come to expect from Martha Wells, her depictions of trauma responses feel on-point and real. How everyone reacts to their own ghastly experiences and how it drives them are on full display and are very sympathetic.

So: great world-building. Fun characters and relationships. A complex, political story with very "human" characters. It drops you in to a rushing river and expects you to swim, which I love.

That said, I feel like the characters besides Kai, the main POV, are a little flat. There's a chance that they feel that way because of how much Kai is struggling with their own inner demons (heh heh); maybe Kai's inward focus makes them somewhat blind to others' personalities and the narrative reflects that?

I initially was a little intimidated when I opened the book and was greeted with a list of names and titles from a world I didn't understand, but the characters are all described as they're introduced, such that I didn't ever need to page back to the list, so I worried for nothing. Martha Wells does an incredible job of fitting a lot of world building into a small space, doling out lore as necessary in a way that still sparks the imagination. And what a world it is! Layers of culture, powers, politics, and history unfold in two separate timelines with a scope that feels like a big adventure. Kai is a fun mix of snarky and competent, with other characters distinct, but not given quite as much attention. Overall, characters and their arcs to take a bit of a backseat to the plot and its mysteries. While this seems like it's probably a standalone book, I honestly wouldn't mind seeing these characters do more with a little more breathing room.

Thanks to NetGalley and Tor Publishing Group for a review copy. All thoughts in this review are my own!